Samus is far nimbler and much faster than we’ve seen her in past games, including Samus Returns. The melee counter returns, but aside from some select moments where it’s the only option, I found more success firing and evading, rather than countering. Samus can aim diagonally, as well as up and down while moving, and holding the L button continues to engage a precision aim mode at the expense of movement.
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Where the controls were confined by the limitations of the 3DS’s circle pad, it handles like a dream on Switch, with Joy-Cons or a Pro Controller. The modernised Metroid gameplay introduced in Samus Returns provides the foundations. Huge, sprawling world with plenty of exploration Nintendo was clearly keen to see more, and in collaboration, MercurySteam has been given more freedom to explore the Dread concept originally conceived for the DS to create the first high definition Metroid game. At the time, it was somewhat overlooked, as the Switch had been out for months, and it was hard to go back to the pixelated 3DS so soon after being treated to HD handheld gaming. It was a deserved and much needed remake – I would suggest playing that and the GBA remake of the original game, Metroid Zero Mission, over the NES and GB originals – and importantly served as a successful proof of concept. Nintendo EPD has again partnered with developer MercurySteam, who brought us the revival of Metroid with the well-received remake of Metroid II in Samus Returns on 3DS in 2017.
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